G, 86 minutes
3 Stars
Review by © Jane Freebury
It’s often hard to see how creatures born in the wild, just a bundle of knobbly limbs and eyes and ears, can ever survive. How those baby seals can get safely past the orcas lurking in the shallows, or how hatchling turtles dodge the predators on shore to reach the sea.
This wildlife documentary for children recounts a year in the life of a reindeer fawn, born before its mother reaches the summer pastures with the rest of the herd. Alone with her for the first days of its life, Ailo has to learn quick. Stand, walk, then run and swim. His mother nearly leaves him behind to follow the herd but the maternal instinct prevails and she stays, lowering her antlered head, nudging him to copy her. Yes, female reindeer, at least these ones in the Lapland region of Finland, grow an impressive rack just like the males.
Of course, we don’t have the same patience as Ailo’s mother while he learns essential skills. While the lessons take place, the entertaining antics of a white stoat come into view as it tries to raid a nest of eggs just out of reach. It’s one of many cameos of the other animals that share the taiga with reindeer. Lemmings, snowy owls, bears, wolves, wolverines, and arctic foxes.
I took only a little notice of the voiceover and concentrated on the images
In three days, Ailo and mum trot out of the forest, making their way down into the lower lying land. When he is five days old, they have caught up with the herd. This is when the narrator informs us that, not only has Ailo discovered how to use his limbs, he has learnt perseverance, courage and self-confidence.
There’s often some anthropomorphising in wildlife docos, even David Attenborough’s, but this was too much. From this point, I took only a little notice of the voiceover and concentrated on the images. While the writing by Morgan Navarro and Marko Rohr can be silly and condescending, the cinematography by Teemu Liakka is great. The images from this white world just below the Arctic are lovely, some spectacular.
It’s not just a reindeer story. The arctic fox that is desperate for a mate, the snarling she-wolf training her cubs in the hunt. We are spared the actual kills.
And the wolverine that has such fun doing somersaults in the snow forgets he is courting the female, and she stalks off. By the way, if you ever thought Hugh Jackman’s wolverine claws were over-the-top, check out the claws on this little creature.
There is plenty of interesting wildlife behaviour to watch too, and, given the young audience this documentary is aimed at, the filmmakers can be excused for trying to turn it all into a story. The editor would have been working hard on bringing the raw material together, constructing a single character from disparate vision, and eliminating any images that gave the game away, but the result is a sweet story.
Ailo’s Journey, from first-time feature director Guillaume Madatchevsky, is about the right length for children. The images of the snowy wilderness will be compensation enough for the adults who go along with them.
First published in the Canberra Times on 16 November 2019