Sampling movies on SBS OnDemand

By © Jane Freebury

There is a trove of quality films to watch free-to-air on SBS OnDemand, 650 titles to revisit or catch up with.

An astounding range of quality films that SBS has curated in a variety of ways for niche appeal. Feature docos, movies about feisty females, movies for gay audiences, cinema classics, animation, and as yet little known ‘hidden gems’.

With so much bewildering choice, here are 15 titles I can recommend.

The category ‘the Oscar goes to’ guarantees a film that’s good on one level at least, having achieved an Oscar nomination, not necessarily for best film.

Incendies (Denis Villeneuve, 2010), an Oscar foreign language film nominee, is a powerful, atmospheric drama about Canadian siblings who travel to the Middle East to solve a family mystery. Villeneuve has since directed outstanding films like Blade Runner 2049 and Arrival, and his take on Dune is due to release this year.

The Motorcycle Diaries (Walter Salles, 2004) takes you along on a meandering road trip through South America with a young Che Guevara (Gael Garcia Bernal) as the Marxist revolutionary. It won an Oscar for its music, and could easily have won for cinematography.

Downfall (Oliver Hirschbiegel, 2004) is an account of the final days of Adolph Hitler and inner circle in his underground bunker. A provocative, thoughtful perspective on an arch-criminal guilty of heinous crime.

Talk to Her (2002), from the wonderful Spanish writer-director, Pedro Almodovar, whose unique vision creates a sensual, extravagant world of its own.

From the young Roman Polanski, Rosemary’s Baby (1968), stars Mia Farrow as a pregnant wife fearful that a coven of witches plans to steal her child. Its menacing atmosphere and disturbing psychology are unforgettable.

Alain Becourt with Jacques Tati in Mon Oncle

Mon Oncle (1958), a classic of French cinema created by Jacques Tati that won the best foreign language Oscar. It’s a witty, gentle send-up of bourgeois pretention that is a classic of comedy in any language.

In the ‘World Movies’ section there’s Anonymous (Roland Emmerich, 2011) with Rhys Ifans demonstrating surprising depth. This is a clever concoction for those who enjoy an enduring mystery. Did Shakespeare write Shakespeare? Of course, he did but it’s still good fun exploring who else might have done it.

Alicia Vikander and Mads Mikkelsen in A Royal Affair

A Royal Affair (Nikolaj Arcel, 2012). This story about a young queen of Denmark (Alicia Vikander) who falls for the court physician (Mads Mikkelsen), is a thoughtful, delicate romance that deserved more recognition on its release.

Merry Christmas, Mr. Lawrence (Nagisa Oshima, 1983), is a strange, striking film that features a mercurial performance from David Bowie as a British major in a Japanese prison of war camp in World War II.

A Woman at War (Benedikt Erlingsson, 2019) offers a light, whimsical touch on weighty subjects as a woman archer steps up to take on corporate vandals destroying the Icelandic environment.

Ali’s Wedding (Jeffrey Walker, 2017) is a terrific Australian comedy, a tricky genre to get right these days. At its heart is a smart, funny performances from co-writer and lead actor Osamah Sami as the dutiful young Muslim struggling with life choices.

Capharnaum/aka Capernaum (Nadine Labaki, 2018) is the powerful, haunting story of a 12 year old living in a Beirut slum who sues his parents for neglect. It’s said to have become the highest grossing Arabic films ever.

Filmed in the palace of Versailles itself, Farewell My Queen (Benoit Jacquot, 2013) it is told from the perspective of a court reader (Lea Seydoux). A sumptuous period drama on the last hours of Marie Antoinette in the French Revolution.

The niche category ‘Essential 70s’, revisits the decade when some of cinema’s top directors did their outstanding early work. The seventies are not well represented by the films in this SBS category, but it does offer two of the best.

The Conversation (1974) a highly esteemed thriller written and directed by Francis Ford Coppola. It lost the best film Oscar to The Godfather Part II, that Coppola also directed.

Serpico (Sidney Lumet, 1973) is based on the true story of a New York cop who exposed corruption among the force. Al Pacino is ferocious and righteous in the lead role, in what is still one of his best performances.

First published in the Canberra Times on 22 March 2020, and broadcast on ArtSound FM 92.7

*Featured image: Zain Al Rafeea and Boluwatife Treasure Bankole in Capernaum

Ali’s Wedding

Review by © Jane Freebury

Smitten by a lovely girl at the local mosque and eager to make his father and family proud, a young man tells a lie. It’s such a colossal deception that he couldn’t possibly get away with it, but he’s such a guileless, pure-hearted dreamer that the few people who want to exact shame and punishment for it end up looking like the bad guys.

Ali (Osamah Sami) reaps his just desserts anyway.

Romantic love and filial duty are rather old-fashioned virtues for propping up 21st century romantic comedy, yet the conflict between them may be back with boy meets girl from a different cultural background. Like the popular American rom-com The Big Sick, this terrific film co-written by actor and stand-up comic Sami and award-winning screenwriter Andrew Knight, and directed by Jeffrey Walker, makes them front and centre here.

Set in the Muslim community of north Melbourne, Ali’s Wedding is based on Sami’s own life, ‘unfortunately’.

Humour from anomalies within the expat Muslim community itself

What a story it is. To begin with, Ali is born the son of a Muslim cleric, an Iraqi, in the Iranian holy city of Qom where he spends his early life. When he is 12, the family emigrates to Australia.

The humour of Ali’s subsequent life adventures derives less from the fish-out-of-water possibilities of living in a different culture than from anomalies within the expat Muslim community itself.

For the amusement and instruction of his congregation, Ali’s father (played by Don Hany), wrote a musical comedy called Saddam: the Musical, with him in the title role. Really. It went down well and the production travelled to the United States. Well almost. Ali’s encounter with Homeland Security makes for some classic humour of miscommunication. Proving the adage that there are times when you gotta laugh, or you cry.

Bolstered by impulse rather than design, Ali gets into a pickle when he lies about his score at the university entrance exam for medicine. With the crowd assembled for prayers at the mosque, women to one side and men to another, Ali steps up to the challenge to his family honour thrown down by the rival cleric and his high-achieving son, declaring he achieved the highest score.

What’s touching is it seems what he really wants is for everyone to acknowledge that the stunning score Dianne (Helana Sawires) achieved in the same exam has actually tops them all.

It’s Dianne who Ali really fancies, even though the girl his family intends him to marry is really sweet. Dianne is Australian-born, and you know what that means, even if Ali’s younger sister is too! Life for Ali has become beyond complicated.

It’s not another predictable, dull exercise pushing the right buttons, it makes you laugh

Yet neither Ali nor his cheerfully Aussie mechanic brother Mohsen (Robert Rabiah)—one of many delightfully overdrawn characters—look like they would sink into deep depression if they fell short of family expectation. Laid back, you would say. Their baby sister looks all set to make up for any family shortfalls anyway.

Ali’s Wedding caught me unawares. Expecting another dull exercise pushing the right buttons rather than making me laugh, I found instead a genuinely engaging heart-felt comedy showing how people and families can be just the same everywhere.

The characters live, the feeling is generous and humanistic, and I’m glad to say that unlike some of the movies that pass for comedy these days—Girl’s Trip anyone?—it’s funny.

4 Stars

Also published at the Canberra Critics Circle, and broadcast on ArtSound FM 92.7 MHz

Ali’s Wedding

4 Stars

Review by © Jane Freebury

Smitten by a lovely girl at the local mosque and eager to make his father and family proud, a young man tells a lie. It’s such a colossal deception that he couldn’t possibly get away with it, but he’s such a guileless, pure-hearted dreamer that the few people who want to exact shame and punishment for it end up looking like the bad guys.

Ali (Osamah Sami) reaps his just desserts anyway.

Romantic love and filial duty are rather old-fashioned virtues for propping up 21st century romantic comedy, yet the conflict between them may be back with boy meets girl from a different cultural background. Like the popular American rom-com The Big Sick, this terrific film co-written by actor and stand-up comic Sami and award-winning screenwriter Andrew Knight, and directed by Jeffrey Walker, makes them front and centre.

Set in the Muslim community of north Melbourne, Ali’s Wedding is based on Sami’s own life­—‘unfortunately’.

What a story it is. To begin with, Ali is born the son of a Muslim cleric, an Iraqi, in the Iranian holy city of Qom where he spends his early life. When he is 12, the family emigrates to Australia.

The humour of Ali’s subsequent life adventures derives less from the fish-out-of-water possibilities of living in a different culture than from anomalies within the expat Muslim community itself.

For the amusement and instruction of his congregation, Ali’s father (played by Don Hany), wrote a musical comedy called Saddam: the Musical, with him in the title role. Really. It went down well and the production travelled to the United States. Well, almost. Ali’s encounter with Homeland Security makes for some classic humour of miscommunication. Proving the adage that there are times when you gotta laugh, or you cry.

Bolstered by impulse rather than design, Ali gets into a pickle when he lies about his score at the university entrance exam for medicine. With the crowd assembled for prayers at the mosque, women to one side and men to another, Ali steps up to the challenge to his family honour thrown down by the rival cleric and his high-achieving son, declaring he achieved the highest score.

What’s touching is it seems what he really wants is for everyone to acknowledge that the stunning score Dianne (Helana Sawires) achieved in the same exam has actually topped them all.

It’s Dianne who Ali really fancies, even though the girl his family intends him to marry is really sweet. Dianne is Australian-born, and you know what that means, even if Ali’s younger sister is too! Life for Ali has become beyond complicated.

Yet neither Ali nor his cheerfully Aussie mechanic brother Mohsen (Robert Rabiah)—one of many delightfully overdrawn characters—look like they would sink into deep depression if they fell short of family expectation. Laid back, you would say. Their baby sister looks all set to make up for any family shortfalls anyway.

Ali’s Wedding caught me unawares. Expecting another dull exercise pushing the right buttons rather than making me laugh, I found instead a genuinely engaging heart-felt comedy showing how people and families can be just the same everywhere.

The characters live, the feeling is generous and humanistic, and I’m glad to say that unlike some of the stuff that passes for comedy these days—Girl’s Trip anyone?—it’s actually funny.

Published at the Canberra Critics Circle and broadcast on ArtSound FM 92.7

*Featured image: Osamah Sami as Ali, caught in a tight spot