© by Jane Freebury
Of all the titles to choose for a film about a man facing his premature demise, Truman takes its name from a saggy, baggy old boxer dog in need of a good home. A vague connection with former American presidents or celebrity writers is no guide to what we find within, though breaking the name down into its components gives a sense of what the film is on about.
As a companion for Julian (Ricardo Darin), Truman has been as faithful, steady and reliable as a pet could be during his master’s closing act. In truth, the dog doesn’t seem long for this world either. Julian’s cousin Paula (Dolores Fonzi), Julian’s closest family in Madrid, is fond and caring but seems rather duty-bound to her irascible and difficult relative, a theatre actor who arrived from Argentina long ago, and never returned home.
When Tomas (Javier Camara) flies in from Canada on a surprise four-day visit, Truman has to play second fiddle while the two old friends get out and about. There’s an appointment with Julian’s doctor, a visit to the vet, some research at a bookshop, a visit to the funeral parlour, but there are diverting outings too. All the while, the tone is kept light, as Julian remains stoic, ironic and emotionally honest.
Slowly – slyly? – the film reveals the facts. That Julian is terminally ill with cancer, that he is a working stage actor still (he says he wasn’t any good on screen), that he remains on excellent terms with his former wife, and that he perhaps hasn’t a lot to show for his life except a string of affairs and a middling career. It’s not that writer-director Cesc Gay makes a fetish of withholding important information, it’s just that there is only so much we need to know at any one time. It’s up to us to keep up.
Tomas has flown in from Canada on a mission, but as soon as he sees his old friend he knows that it is futile. Julian has decided he won’t continue chemotherapy. His sole remaining goal in life is to find Truman a suitable home.
What really matters is the two blokes in frame and in close up, and their friendship in hard times. Darin and Camara are both superb. In one particular scene, they ask what they have learned from each other. Apart from the illegal things, courage, says Tomas. Generosity, says Julian. Yes, we’ve noted that Tomas pays all the bills.
Julian has a knack for drawing Tomas out, encouraging him to recognize his feelings. Perhaps this accounts for the jarring moment when Tomas and Paula sleep together. Or is it to show the paradox of the loyal friend who can also be the faithless husband?
In 2013, I found Gay’s comedy of gender relations, A Gun in Each Hand an initially promising but frustrating experience. It also featured Darin and Camara. This time, Gay has absolutely nailed it with Truman, a deeply satisfying mature drama liberally sprinkled with humour, wit, warmth and insight.