Diverging Australian cinematic futures (1991)

© Jane Freebury Published in Australian Society magazine September 1991 The Sydney season of the 1991 Australian Film Festival opened with the striking juxtaposition of Jocelyn Moorehouse’s Proof and Rolf de Heer’s Dingo. Both nominated for best feature in the Australian Film Institute awards, they represent the wildly different directions filmmaking in this country is… Continue reading Diverging Australian cinematic futures (1991)